“Good evening, and welcome! To a night at the Opera.” I declared, scrunching up my face in concentration. Veronika, sitting in front of me outside the canteen at lunchtime, watched me dispassionately. “Or should I put the emphasis on the Night? Good evening, and welcome to a NIGHT at the opera!” She spooned some pasta in her mouth, which for some strange unknown reason she was apparently finding more interesting than my conversation. I took a deep breath and shut my eyes. “Good evening, and welcome to a night.” I opened my eyes dramatically, the effect of which was lost because Veronika wasn’t looking. “At the Operaaaaaaa!” I flung my arms out and knocked half of her pasta off the table. Further talk of a night at the opera or wishing anyone a good evening was a strictly taboo topic for the rest of lunchtime.
The oratory rehearsals were intended for playing a host in, as you may have cleverly surmised, A Night at the Opera. It was to be held in the Music Centre, featuring the finest of Dubai College vocal as well as instrumental talent, meticulously prepared by Mr Zambonini, Mr Crawford and the teachers of the music department. The stage was set, the scene was an elegant flurry of bow tie suits and pretty evening dresses, and parents waited with baited breath and anxious video cameras for their sons and daughters to captivate and enchant in the language of romance, betrayal and passion: opera.
Backstage, it was an altogether different scenario. Violins, trumpets, trombones and cellos all tuning up to different notes at the same time yield nothing but a load of frustrated musicians telling their fellow purveyors of melodic excellence to shut it so they can hear themselves. Throw in some nervous singers all belting out Doh-Mi-Soh-Doh-Soh-Mi-Doh on varying syllables and varying keys to warm up and you’ve got yourself something worthy of Cacofonix the bard (as in Asterix? No? OK). No amount of panic backstage, or anything even life threatening for that matter, however, would deter a dedicated Dubai College musician to deliver less than an outstanding performance, which is what the Chamber Orchestra did in their wonderfully slick Suite, from Carmen by Bizet. Ryan Evans captured hearts with a sweet, pure voice and Sophia Cafoor-Camps, Florence Prosser and Sophie Middleton, accompanied by Mr Hardman, each served up stunning solos that soared effortlessly and lingered glittering in the listeners’ minds long after their last notes.
In stark contrast to the sometimes austere refinement of the older performers, Ethan Ebdon and Isabel Snaas had every member of the audience overcome by a strong urge to sigh “Awww”. Their portrayal of tired, hungry and utterly adorable Hansel and Gretel was a clear success as the singers curled up to sleep after their Evening Prayer, prompting a mass reaching for the tissues on the other side of the stage. Meanwhile, Abby, Prianka and Niamh’s O Mio Baabino Caro, from Gianni Schicchi by Puccini, held everyone spellbound as they conjured up images of a young girl pleading with her father to let her marry the man she loves. Violinist Charles Barsaga and the orchestra quickly followed with the haunting Meditation from Massenet’s Thais, a controversial opera with themes of religion, lust and denial that have ensured its lasting popularity.
The virtuosic streak was maintained as a rousing rendition of Triumphal Chorus from Aida by Verdi was superbly executed by a new ensemble at the school, the Chamber Choir, with solos by Dorottya Nagy (trumpet) and Kinara Rodrigues (flute). After two hours of being treated to some of the most beautiful compositions ever written, the concert was brought to a spectacular end with Sophie and Rory Blincow leading the Senior Choir in Verdi’s effervescent, glorious Brindisi.
As we returned home that night, having had rather more of the excellent complementary canapés and éclairs than necessary, the splendid performances of the young musicians were no doubt ringing in the ears of every listener, each better than the last, but we knew what took the cake. That night, music and the timeless magic of opera was the winner.




