Today I’m five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I’m changed to five, abracadabra. Before that I was three, then two, then one, then zero
In many ways, Jack is a typical five-year-old: he likes to read books, play games with his Ma and watch TV but not too much as it ‘rots our brains’. Yet Jack is different in a big way… he has lived his entire life in a single room sharing the entire space – just 11 by 11 feet – with his single mother and an unnerving night-time visitor known as Old Nick. The reader knows only what Jack knows, since the novel is strongly planted in the narrative restrictions; thus, the drama is immediate as is the reader’s sense of disorientation over why these characters are confined in this place. The main objects in Room are capitalised – Rug, Bed, Wall – which not only serves to highlight their importance to the narrator but also indicates the way that to Jack, they are named beings. In a world where the only other companion is Ma, Bed is his friend as much as anything else. Through this personification, Jack is able to relate to his world, defining the only world that he knows.
Jack’s days were ‘filled with thousands of things to do’ as for him, life was good purely because he knows nothing else; empty egg shells become a snake when threaded together, toilet rolls become a maze and Physical Education is sometimes Track which goes around Bed from Wardrobe to Lamp. However, for Ma, life is filled with the knowledge of what she is missing outside the room before her captivity. Room presents two different perspectives, two different ways of looking at life. Room is the only world that Jack knows; but for Ma, it is a prison in which she has tried to craft a normal life for her son. Room focuses on the relationship between mother and child; the way in which she manages to create a magical childhood for him engenders sympathy in the reader and makes the novel a compelling read.
‘You must feel an almost pathological need-understandably- to stand guard between your son and the world’ says the puffy-hair woman. ‘Yeah, it’s called being a mother’ says Ma
Emma Donoghue has not been so crass as to make light of their plight; in fact, at times, it is almost impossible not to turn away in horror. When Old Nick comes into the room at night, Ma makes Jack hide in the wardrobe where he hides ‘till he makes that gaspy sound and stops’. Ma even has days where she is ‘gone’ to blank-eyed depression. However, Donoghue explores the indomitability of the human spirit, balancing the grotesque with the uplifting making even the most vile of circumstances something absorbing, truthful and beautiful.
Room is a book about the smallest of worlds, and the biggest. Small ones (such as couples, families, workplaces) have their pleasures as well as their irritations; big ones (cities, nations, the Internet) both attract and alienate. Some days we all feel trapped in our particular life circumstances, and other days we find there is more freedom inside their limits, and room inside our heads, than we ever knew.
(Emma Donoghue)
Inspired by the likes of Elizabeth Fritzl and Jaycee Dugard – both of whom were held for many years by captors by whom they bore children – Donoghue has explained that to frame the story through a mother’s eyes ‘would be too obviously sad’. Therefore, told entirely in the language of a child, Room is the celebration of resilience and the limitless bond between a parent and a child. Despite its profoundly disturbing premise, Room is rife with moments of hope and beauty combined with the determination to live even in the most desolate of circumstances.









If you’ve heard someone ask the question, ‘have you seen it yet?’ or ‘wasn’t it soo good?’ lately, chances are they’re referring to the recent release of Harry Potter and the Deathly Hallows. The final instalment (part one) of what is considered the most famous book-and-movie franchise in history has had fans across the world re-reading the entire series and searching for suitable round glasses and black cloaks in anticipation of November the 18th for the past few months. And the fans’ excitement and enthusiasm for the premiere showed. The film raked in $330.1 million worldwide in its opening weekend, ranking fifth on the all-time chart and a little more than a week later has earned more than $363,532,000 across the world. Grossing $24 million for its midnight showing only.